Ad Familiares 7.1
Ad Familiares 7.1
Headnote
Cicero to M. Marius, written at Rome in October 55 BC, just after the lavish dedication-games of Pompey’s stone theatre — the first permanent theatre at Rome, on the Campus Martius. The literary friend at Pompeii, ill of body but happy in his bedroom-window-cut-to-Stabiae, has stayed home from the games. Cicero writes the letter that has stayed with this friendship in literary history: a wry account of the games for the man who was right not to come.
The first half is the games themselves: Sp. Maecius Tarpa’s stage-plays (a forgivable sin against Marius’s taste, since the elderly Aesopus’s voice failed him in the oath si sciens fallo), the six hundred mules in Accius’s Clytaemnestra, the three thousand mixing-bowls in the revival of the Equus Troianus, the gladiatorial shows on which (Pompey himself confessed) “both his pains and his oil were lost,” and the dual-five-day beast-hunts. Cicero’s most famous comment closes section 3: on the last day’s elephants, “a kind of pity followed, and the impression that there is some kind of fellowship between that beast and the human race” — the locus classicus of Roman compassion for the elephants of the games (cf. Pliny NH 8.21).
The second half is the moral. Cicero almost burst himself defending Caninius Gallus, a maiestas case; the law’s yoke, and the inability to say no when good friends ask, are the present grievances. He looks forward to true leisure — to visit Marius’s villa with him on the litter, and to learn from the man who has long studied nothing else what it is to live as a human being. The closing pun is Cicero at his lightest: Marius half-invited him to write so as to not regret missing the games, and now Marius will have to come to the games next time — because his absence cannot expect another such letter.