For the Poet Aulus Licinius Archias
Pro A. Licinio Archia Poeta
Headnote
Cicero’s defence of the Greek poet Aulus Licinius Archias of Antioch on a charge that he was not in fact a Roman citizen — brought, on a hostile reading of the lex Papia of 65 BC (which had ordered the expulsion of those falsely claiming citizenship), by an otherwise unknown prosecutor named Grattius. The political context is the long campaign against the followers of Lucullus: Archias had come to Rome in the consulship of Marius and Catulus (102 BC) and had been at once taken into the household of the Luculli, and had attended Marcus Lucullus to Sicily and Lucius Lucullus to the Mithridatic war, on which he was now writing the great epic. Two years earlier the Manilian command had stripped Lucullus of the eastern war and given it to Pompey; in 63 Lucullus’s enemies had blocked his triumph until 62; the prosecution of Archias is a small late stroke in that campaign, aimed not at the poet for himself but at his patron. The trial falls in the summer or autumn of 62 BC, before a single praetor (Quintus Cicero, the orator’s brother) and a panel of judges.
The technical case is short and dispatched in the first eleven sections. Archias was enrolled as a citizen of Heraclea, a federated town; the law of Silvanus and Carbo (89 BC, the lex Plautia Papiria) gave Roman citizenship to citizens of federated towns who had a domicile in Italy and registered before the praetor within sixty days, all of which Archias did. The Heraclean rolls themselves were burned in the Italian war, but Marcus Lucullus is present to testify and the Heracleans have sent legates with a public deposition; Archias’s registration stands in the records of the praetor Q. Metellus, the most scrupulous of men. Cicero closes the technical part of the speech with a list: he made wills under Roman law, took inheritances from Roman citizens, was put up to the treasury for benefits by Lucullus the proconsul. The case for the citizenship is settled.
The remaining three-quarters of the speech is the §12–32 digression — the most famous defence of letters in Latin literature, and the one for which the trial has been remembered for two thousand years while every other detail of it has gone. Cicero asks pardon at the start for “a kind of speech that is almost new and unaccustomed” and for treating, in court, of studia humanitatis. The argument moves from his own debt to Archias and to letters (§12–14), to the cooperation of nature and learning in producing greatness (Africanus, Laelius, the elder Cato, all enriched by letters), to the famous characterization at §16: “these studies sharpen youth, delight age; they adorn prosperity, in adversity afford a refuge and consolation; they delight us at home, do not hinder us abroad; they pass the night with us, they travel, they go to the country.” Then to the holiness of the poet’s name and the role of Archias’s verses in extending the glory of Roman arms beyond the narrow bounds of Latin into the universal Greek (§19–24, with Alexander at the tomb of Achilles, “O fortunate young man, who hast found in Homer the herald of thy virtue!”), to the Roman precedent (Ennius and the Scipios; Accius and Brutus; Fulvius consecrating the spoils of Mars to the Muses), and finally to Cicero’s own confession that virtue desires no wages but the praise and glory of being remembered, and that he too has hoped, in his consulship, that his deeds were being scattered into the everlasting memory of the world. Archias, he hopes, will give them the eternal testimony.
The poem on the consulship was apparently never finished; Cicero in the end wrote his own. Archias was acquitted. The speech became, in late antiquity and again in the Renaissance, the central manifesto of the studia humanitatis: Petrarch’s discovery of a manuscript at Li\‘ege in 1333 helped open the recovery of Cicero’s prose, and Petrarch’s own treatise De Otio Religioso draws directly on §16. The reader who comes to it for the first time should be warned that some sentences will be familiar.